A span of four centuries of changing values in artistic tradition electrifies the air between Titian’s “Venus with a Mirror” and Picasso’s “Seated Woman.” The contemporary viewer can see the beauty in both icons, but within their worlds, each woman argues for the authenticity of the stylistic expression of her image. Locked in a moment of confrontation, the two do not comprehend that another world exists that values and cherishes both for their differences, not in spite of them. Through an open window, Chagall’s folkloric pair of lovers float high above the fray. They seem to advocate “love above confrontation,” and are enjoying the freedom that only love can offer.
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