“After experiencing the jolt of the dramatic close-up vis-a-vis encounter solely with the head of the Statue, Chen’s careful exchanges become apparent: her crown, a ring of Eiffel Towers; her eyes and nose, a synthesis of both the aggressive eagle and the peaceful dove. He, in essence, completes 100 years later the message of the Statue. It now not only is the traditional image of friendship between one nation and another, but becomes in Chen’s hands a more universal concept through this new universal neo-iconographic image.”